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Heaven and Hell, Alice Cooper, & Queensryche
Sleep train Pavilion, Concord, CA
September 30, 2007
By Dan Wall


Heaven and Hell Set List: E5150 (intro), The Mob Rules, Children of the Sea, I, The Sign of the Southern Cross, Voodoo, Computer God, Falling Off the Edge of the World, Die Young, Heaven and Hell. Encore: Neon Knights. 1 hour, 30 minutes.

Alice Cooper Set List: It’s Hot Tonight, No More Mr. Nice Guy, Under My Wheels, 18, Is It My Body, Woman of Mass Distraction, Halo of Flies, Welcome to My Nightmare, Only Women Bleed, Steven, Dead Babies, Ballad of Dwight Fry, Devil’s Food, I Love the Dead, School’s Out. Encore: Billion Dollar Babies, Poison, Elected. 75 minutes.

Queensryche Set List: The Whisper, Damages, Speak, I’m American, Jet City Woman, The Needle Lies, Empire, Welcome to the Machine, Eyes of a Stranger. 40 minutes.


When Heaven and Hell hit the Bay Area on the first leg of its tour back in April, the band used Megadeth and Machine Head as its opening acts, giving the show a decided metal feel and bringing the headbangers out in mass.

This time around, the group used Alice Cooper and Queensryche as openers, and even though that grouping is as good as it gets as far as I’m concerned, the band had trouble drawing on its second trip through the area.

As a matter of fact, discount ticket vouchers were issued the week before the show, but only 6000 or so hearty souls showed up for one of the best hard rock bills of the year. Once again, there are only so many fans and so much money to be divided among all of the shows that turn up in a market like this, and most of the serious fans probably saw the show back in April in San Jose.

The performance was so similar, in fact, that I am going to point you towards reviews (go to articles, then Heaven and Hell reviews) that A. Lee Graham and I wrote back in April for this site to give you an idea of how powerful the band was onstage (I have included the current set list here).

As far as the band goes, diminutive vocalist Ronnie James Dio still has the pipes of a man half his age, doom master Tony Iommi played his gloomy, doomy riffs like no one else can, bassist Geezer Butler was his solid self and drummer Vinny Appice pounded like Fred Flintstone down at the rock quarry. It proved once again that this version of the band is one of the best in metal history and can stand on its own against the giants of the genre.

It’s a daunting task-just try convincing rock fans that Alice Cooper isn’t some washed up, tragic old school rocker who is out touring just to make a buck. Cooper’s performance on this bill proved that not only is Alice still at the top of his game, but he still puts on one of the best shows in the business.

A great set list, a wonderful band that features drummer Eric Singer (an absolute rock), and the venerable Alice, still the template for theatrical rock despite the limited stage time. Cooper was in fine voice, his band aced every single song, and the crowd, sensing something special, was much more receptive than it probably should have been for an opening act.

Highlights were plentiful, including “Billion Dollar Babies,” still one of my favorite rock songs of all time, the rarely heard “Halo of Flies” and the rousing finale of “Elected,” with a dancing Hillary and George, which actually sounded great and bodes well for Cooper’s future-but not ours.

Queensryche opened, and that’s a miracle in itself. Along with Alice and Mr. Dio, this band has actually headlined at this venue many times, thus proving once again what a quality bill this was. Still led by vocalist Geoff Tate and his spectacular five-octave voice, the band played a short set of mostly classics and some obscure stuff that still sounds great after all these years.

Both Michael Wilton and Mike Stone starred on guitar, often playing tandem leads that added body to the songs. Bassist Eddie Jackson is the quiet, unassuming one who keeps the beat solidly with drummer Scott Rockenfield, a monster player who helps hold the sound together onstage. The big surprise was the inclusion of Pink Floyd’s “Welcome to the Machine,” which will be featured on the band’s cover album that’s due in November.

Despite the small crowd, this turned out to be one of the best metal bills to come through the Bay Area in quite some time.

 

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