and check out the Auction Preview which is going on RIGHT NOW!
Jeb: Your new Metal auction is going to be huge! It must have
be keeping you very busy.
Jacques: Yes, we are always busy but this auction was
particularly challenging. We ended up with 30 consignors and we
have never had that many before for a single auction. The
majority of them had anywhere from ten to twenty items. We ended
up with well over 1200 auction lots. As you know, a single lot
can contain ten, twenty of thirty items.
The logistics of dealing with 30 people was challenging. You
have 30 times the handholding and 30 times setting up the stuff
and getting it here. Some people are very professional and easy
to deal with but others do require a little bit more time. It’s
when the left side of the brain agrees to do an auction but the
right side of the brain says, “No, please don’t ship me off to
the auction block!”
What happens is that you work and work and work and then with
four weeks left all of the floodgates open. I have deadlines and
I have to give them friendly reminders and they will say, “I
will ship it out” but then they wait until the last four weeks.
We were getting in collections every day last week. The moment
that you say that you will not let anyone else in on the auction
you will get a call and they will say, “My buddy told me about
the auction. Can I be part of it too?” You have to get to a
point where you have to say no and tell them that they can do it
next time.
Jeb: I know that you are a rocker so it must be great to even
see the stuff that you have up for auction.
Jacques: I am a Metal Head at heart and I really love this
stuff. I know just about every single piece that comes in terms
of knowing who the band is and in most cases I have seen them in
concert. To me, that is exciting and fun. I get to see the old
records, posters and T-shirts. It is great to do something that
naturally excites you; it doesn’t feel like a job. I will admit
that I can’t remember the last six day work week I had because
most weeks are seven day work weeks. I really don’t go to bed
until two in the morning and I am getting up at six in the
morning. I’m getting to that point that I am a zombie. Just
today, we literally wrapped up all of the logistics. All of the
stuff is here and we are almost ready to go.
Jeb: You mentioned people do get emotional about auctioning
their items. Do you ever have issues with what you think
starting bids should be?
Jacques: Most people trust you, as we work closely with them
and we have a wonderful reputation and they know we are going to
do what is right. However, there are those that take a little
more interest. They will ask why the price of one thing is fifty
bucks and the other is seventy five bucks. You explain it to
them but they clearly have a different yardstick because they
are basing it on their emotions. Mine is based on the market.
Every Led Zeppelin album is a great album but they also pressed
five million copies. A band like Dietrich is a band that nobody
has ever heard of but they only pressed five hundred copies, so
they are actually worth more than Led Zeppelin. At first glance,
it doesn’t make sense, but you have to realize the facts.
Jeb:
This auction is a true Metal auction as you have all of the
different types of Metal represented.
Jacques: I am glad you picked up on that. If you take the
family tree of Metal then you discover it has
something like 78
branches. We have something from every family branch. We have
classic hard rock from the ‘70’s with bands like Deep Purple,
Kiss, Scorpions and Blue Oyster Cult. It goes from there into
the early ‘80’s New Wave of British Heavy Metal. We’ve got a
great selection of that era with bands like Saxon, Motorhead,
Def Leppard and others. We have got Thrash Metal with Anthrax,
who are a big, big chunk of our auction. We have Slayer and
Exodus and then we go to the second half of the ‘80’s and we
have items by Motley Crue, Whitesnake and Bon Jovi. In the early
‘90’s we have Grunge bands including an impressive Pearl Jam
collection. We have a lot of their stuff from their first tour
from 1991.
Before they were called Pearl Jam they were called Mookie
Blaylock and we have laminated passes and shirts that say
“Mookie Blaylock.” We have an original Vitalogy book from
the early 1900’s that they used as the inspiration for that
album. We have Nirvana, Alice in Chains, Soundgarden and Rage
Against the Machine represented by items. We have the newer
Metal represented as well with items from bands like Mudvayne
and Powerman 5000.
Jeb: Any interesting stories on how people joined the
auction?
Jacques: We got introduced to Page Hamilton, from Helmet.
Page introduced to us to his neighbor, John Tempesta, who was in
Exodus, Testament and Helmet and is a legitimate Metal player.
John introduced us to his brother, Mike, who is the guitar
player from Powerman 5000. They are interesting because the lead
singer is the brother of Rob Zombie. I have to mention that we
have some insanely cool White Zombie stuff.
Jeb: I want to know something that you saw in the auction
that really knocked your socks off?
Jacques: You always ask me that and I always realize that I
don’t have a single answer. One of our consigners is Rob Garven,
the drummer of Cirith Ungol. With all due respect, in America,
they are sort of unknown band but to me, I love them. They were
big in Europe and they released phenomenal records on Metal
Blade. I think that they deserve some credit for being one of
the early Doom Metal type bands. The early Doom Metal bands were
not as low tempo as they eventually became. It was a little
sinister. I remember when I picked up my first Cirith Ungol
album back in 1981, I was hooked.
We got some great stuff from Robert. We got an album that is
so pristine that it must have come off the press right into his
hands and then saved in a dark, climate controlled environment.
The album looks like it was pressed this morning. For me, this
is a band that I fell in love with thirty years ago. I got
really excited about seeing that album.

Jeb: What about your favorite band, Kiss?
Jacques: It is no secret that I started as a person who
collected Kiss. We got in some 1975-1976 era T-shirts that are
really interesting. Kiss had no money when they started out and
when they started they had no merchandise. The only thing they
could really afford were these iron on type T-shirts. We have
ten, or so, of these early Kiss T-shirts.
Jeb: Scott Ian is a huge consignor in this auction.
Jacques: Logic dictates for me to say that one of the fifteen
guitars Scott has is my favorite items in the auction, or maybe
one of the ten amps, and I will admit it is super awesome to
have these guitars. Scott used these guitars on the road and in
the studio. He used these guitars to write music. There were a
couple of things, two in particular that jumped out at me. One
was a 1982 from Gildersleeves in New York, which is, as far as I
have been able to find out, their first concert. Remember, at
that time Scott was the only member that is still in Anthrax. If
you go back through their history, their lineup changed weekly.
Scott is the original founding member. That handbill is so
fricking cool. It has a hand drawn logo that doesn’t look
anything like the current logo. To me, it is just a five by
seven handbill but it screams history. I get super excited about
something like that.

The other thing that I really thought was awesome was
something that took me back to the first time I saw Anthrax in
concert. They were playing with Overkill and they had opening
acts that changed. Helloween opened for them when I saw them. I
don’t think they even had an album out yet. We have an original
poster from Belgium. If it had been the Dutch poster, from the
concert I saw, I would have freaked out. I would have been
tempted to break my own rule. I do not bid on auction items
because it is unethical. If it was the Dutch poster it would
have been hard not to break my rule. This brought back so many
memories for me.
Jeb: I think people should know that BSA gets these items
from the artists or from industry professionals. It is important
for collectors to know where this stuff is originating from. I
think that is why you have so many repeat customers and why you
have such a great reputation in the business.
Jacques: From day one, I wanted to be that auctioneer that
you could call on the phone and talk to for hours about your
collection and your passion. We only take items on consignment
from the artist, or from a person who was legitimately in the
business. When you get that item you know it is special. When
you buy something from one of our auctions you get two for the
price of one. The first thing you get is the item you purchased
and the second thing you receive is peace of mind in knowing
what you have. You know, for instance, that if you buy one of
those guitars that it came directly from Scott Ian. There are no
ifs, ands or buts about it; it is his stuff. It is not some guy
who happened to know the guy who drove the truck for the band
and he found some item left in the dressing room. What you get
at our auction is the stuff that came directly from the artist
or the industry professional.
We are a little bit of a different production house. I will come
to you and I will help you pull it all together. I will look at
everything you have. Most other auctioneers are only interested
in the top five percent of the items that you have in your
collection. They only want the most expensive items. While that
makes for a very fancy catalog, the reality is that over 80% of
collectors have a limited budget. Very few people can only
afford to buy the most expensive items. They still want a piece
of their favorite musician. I look at everything from the
expensive items to less expensive things. I ask if they have any
old laminates or tour itineraries. I ask if they have buttons or
T-shirts or anything like that. I want to be able to offer
something from Scott Ian’s personal collection that may only
cost twenty-five or thirty dollars. I love selling the guitars
as well but I also want to offer something for everyone who is a
fan.
I will let the others chase the Eric Clapton’s of the world
and I will be happy to get with these other artists as they have
fans that are every bit as dedicated as those other megastars.
The point is that we are the only auction house that wants to do
this. I know how exciting it is and how rewarding it is to be
able to obtain a legitimate piece from one of your favorite
musicians. This builds loyalty as we have a lot of customers who
have been with us since day one. I think that is all you can ask
for. I think we have achieved this and it is one of the things
that we are very proud of. We are always looking to expand our
database as we need to reach out to as many people as we can, as
we are a business. The more people that support us results in us
being able to continue doing these types of auctions. I am
really grateful the loyalty that our buyers have shown us over
the years.
Jeb: Last one: I think not only will people get a great item
if they buy from this auctions but I think it will be a great
investment as Metal items are only going to increase in value.
Jacques: I couldn’t agree with you more; you’re right on the
button, as far as I am concerned. I want to add something to
that, if I may. Being a Metal fan is not easy. You have to be
dedicated to be a Metal fan. You’re playing music that people
don’t want you to listen to, wearing T-shirts that nobody wants
you to wear and your hair is probably too long for everybody’s
liking. It can be your family, your neighbor or your employer,
for that matter. You will never find more loyal fans than you
will find with Metal.
In 1974, I will never forget this, it was my birthday. My
parents bought me a turntable and I was so excited but the
excitement only lasted ten seconds because there were no
records. My mom saw the disappointment on my face and she said,
“Let’s go to the record store and I will let you buy two
albums.” I grew up in an apartment complex and all of the guys
around me were a few years older than me and I hung out with
them all the time. They were listening to Rory Gallagher, Deep
Purple and Status Quo. I went to the record store and the first
record I bought was Black Sabbath. I have never looked back. I
understand the passion and the dedication. It is very gratifying
to do this because I know that people are going to find
something in this auction that is going to rock their boat. I
can hardly think of another fan base that is so dedicated to
their musical heroes than in rock and Metal. It is like a
motorcycle gang; once you’re in then you’re in for life.

These items are hard to find as it is but they will be harder
to find in ten and twenty years. I tell people to go to a used
record store and look at what they have. You will find fifty Dan
Fogelburg albums. You will probably find as many George Michael
albums How many Iron Maiden albums will you find? Zero. It is
not because they don’t carry Iron Maiden. The shop owner would
love to trade his George Michaels albums for one Iron Maiden
album. If they do happen to have one Iron Maiden album then it
is the one album that was a clunker. You rarely strike gold.
I did strike gold though, so it does happen. I was in a used
record store in Houston and I was looking around. You probably
remember the demo days. Bands used to put ads in Metal magazines
and they were advertising their demos. I was able to get the
Metallica demos and the Merciful Fate demos. I saw an ad for a
band called Americade. They were a band from LA. They had a demo
and I send a letter with a couple of dollars and I got a letter
back from the drummer. We stayed in touch and he told me that
they were going to release an album called American Metal.
I ended up getting the album and at some point I must have
traded it or sold it; I can’t remember. It always stuck in my
mind. Last week, I was in this record store and I went through
everything and there was nothing in there for me. They had a bin
labeled ‘various’ and I was mostly compilation albums and
soundtracks. I decided to look through it as it was a small bin.
Lo and behold, there was a sealed copy of Americade in there for
two dollars and fifty cents. I would have paid fifty bucks – I
probably would have paid hundred bucks for it. I really stuck
gold.
Ninety percent of the fun is the hunt. It is going to record
stores and flea markets and yard sales and bookstores in the
hope of finding something. More often than not you’re leaving
empty handed. A few times, you find something beyond your
wildest dreams that is better than anything that you ever
expected. I think that is what keeps me coming back.