Mysteries & Mayhem: The Spiritual Journey of Dave Davies
By Jeb
Wright
Dave Davies, best know as the guitarist of the Kinks, and
brother of band mate Ray Davies, is back with two exciting new
projects, one a film and the other a CD. While Dave has never
been as famous, or outspoken as his brother Ray, he is a
creative man who sees the world much differently than his older
sibling. Where Ray is quick with a joke, a prolific songwriter
and a bit of an egomaniac, Dave is more withdrawn, shrouded in
mystery and metaphysical in nature. Davies has taken brave steps
in his personal life, coming out of the closet as a gay man, and
later, with his recovery from a debilitating stroke that left
him unable to play music or even get out of bed for a period of
time.
The new projects released by Davies showcase not only his new
attitude towards life but also his newfound creativity. Dave has
opened up, realizing that fear of failure is a waste of time.
“The older I get, the more ideas I get. I think I have become
more relaxed about things too. I don’t mind if I fail. I have
the confidence to get it wrong.”
His film, Mystical Journey, is a cathartic look back
at his life. “It’s a project that my son, Martin, and I put
together. The film is semi-autobiographical,” Davies explains,
“For some time now I have wanted to make a documentary based on
my spiritual life and the metaphysical beliefs I have outside of
music. The film traces back my early experiences with
spiritualism and life after death. When I was eleven, my sister
died and it really changed how I felt about the world. It
troubled me when I saw them take a body, put it in a box and
stick it in the ground.”
The openness Davies displays in the film will captivate
viewers, whether it be a nostalgic trip back to the family home
or the admission of Dave’s mystical gifts, “I think it [psychic
ability] was always with me. My mom would tease me about it. I
remember a time my Auntie was over and I walked into the room
and I knew she was upset and that she was going through a bad
time. I can pick up feelings from other people. It actually
created a lot of confusion for me growing up.”
The confusion Davies felt nearly had career lasting effects
as he came close to walking away from the Kinks. In the film,
Davies recounts an experience with a fellow spiritualist, “There
were a couple times in my musical career where I thought about
leaving music. It was about 1971 or 1972 when I seriously
thought about taking up median-ship, which is kind of like
channeling. I was very heavily into that aspect of spiritual
work. I met a guy in Brooklyn who was a medium. I told him I was
thinking about packing it all in and becoming a medium. He told
me that I would be crazy to do that. He told me that music was
very spiritual and that it all goes hand in hand and that I
could do a lot of healing with music and reach a lot more
people.”
Like the film, Davies latest musical undertaking, The
Aschere Project, is a family affair, “It is a musical
endeavor that I put together with another one of my sons, Russ.
He has been involved with electronic music and trance music for
a number of years. We decided to pool our resources and come up
with some ideas. The CD is titled Two Worlds.” The
conceptual album is something Davies hopes will grow beyond a
simple CD release, as the storyline is, literally, out of this
world, “It is about two people who are in love but are trapped
on opposite sides of the galaxy. We have met with some theater
producers and we would like to do a musical; it really lends
itself to a stage production. I would even think it would work
as a ballet.”
Dave admits that working closely with his sons has been
rewarding, albeit different from working with his brother. “When
Ray and I work together it is very much us against the world. We
always felt a little bit like we were fighting the world, which
helped the music. In the very early days there was an awful lot
of pressure to have success, as you didn’t want to be a flop.
American audiences warmed to us because they were less fickle.
If you flopped with an English audience then you were finished,”
Davies continues, “In America you had the opportunity to build
things up and get a following. I think we had great persistence.
I come from a big working class family. I think it was very much
a question of surviving. Coming from that kind of motivated
background helped us to keep going even when things didn’t work
out. We had about four or five times where we could have broke
up.“
As Davies has learned firsthand, life’s most important
lessons come from its harshest blows, just as life’s most
important messages can come from places one would least expect.
“I was in a rehab unit with people who were ill with terrible
crippling illnesses. The ones who had the most popular outlook
on life got better quicker, or at least were able to come to
terms with their situations. There were people who had much
worse physical limitations than I did who really were inspiring
to be around. I will never look at a person in a wheelchair the
same again. I look at them with a lot of respect now. They were
very strong and very spiritual people.”
As a result of his tragedies, Dave Davies has learned to be a
more patient man, able to trust in his art and his mystical
nature. “I feel really great. I am more creative now than I was
leading up to the stroke. I have found that a lot of the
mystical things I learned over the years really helped me to
recover. My whole world turned upside down and my background in
meditation really helped me. The first day I could walk they
made up a little place in a room where I could go meditate. I
was equipped to deal with the problem because I had the proper
information. I was very fortunate in that aspect. I knew how to
train the body and mind on how to be more positive.”