Unfinished Business - An Exclusive
Interview With Neal Morse
By Ryan Sparks
When Neal Morse announced his decision to leave
Spock's Beard in 2002, many people thought that his
conversion to Christianity meant that he was giving up
life as a musician. In fact nothing could have been
further from the truth, as here we are almost ten years
down the road and Neal has six solo records firmly under
his belt. Throw in another handful of independently
released worship CD's, his continued involvement with
progressive rock super group Transatlantic and the
Beatles tribute Yellow Matter Custard, and I think most
would agree that Neal has had himself a very good run
over the past decade.
In 2003 he released his debut album Testimony,
an ambitious double album that documented his early
struggles as a musician in Los Angeles, through to the
events that led up to him becoming a Christian. At the
conclusion of that album, some things were left
unfinished or were only touched upon briefly, but now
with the release of Testimony 2 Neal has tied up
those loose ends and brought the story right up to date.
For example on the song "Jayda", one of the most
compelling tracks on the record, Neal recounts how his
daughter was miraculously healed from a serious birth
defect and how that miracle drastically changed the
course of his life. Once again utilizing the core
musicians from the first Testimony album, which
includes drummer Mike Portnoy and bassist Randy George,
Neal has delivered another stellar double album that
takes him further into uncharted territory both
lyrically and musically.
In the following interview, Neal reveals how much of
a challenge it was to weave the rest of the story
together, as well as what it was like to pen his
autobiography, which accompanies the release of
Testimony 2 and delves further into his personal and
professional life.
Ryan: Testimony 2 is of course the sequel or
the continuation of the story of Testimony. Were
you working on this gradually over the years since that
first album or did you literally just set some time
aside, write the songs and then head into the studio and
record it?
Neal: I remember having some ideas about Jayda's
healing when I was doing the first Testimony
album. I realized that was such a big part of my story
that I hadn't told. I talked about it at the live shows
and on the DVD. I remember having something in my mind
about that, but it never seemed like the right time to
do a Testimony 2. I didn't really have anything
in my mind, except for these vague things . Then I had a
bunch of ideas come to me after the summer tour with
Transatlantic was over. I came home from that and felt
that I had to write a book. During the time that I was
working on that, which from around July to September of
last year, some music was coming to me. Particularly in
October there was a lot of music floating around in my
mind so I started putting things down on a hand held
recorder. Towards the end of October and the beginning
of November I began to try to organize it, but I had no
idea what it all wanted to be. Then I got an e-mail from
a friend of mine in Holland who suggested I make a
Testimony 2. That was the catalyst that made me
think that maybe it was time. So I started praying about
it and it felt like it was time, so I started working on
it like crazy .
Ryan: You did have it in your mind after doing the
first record that you would continue the story at some
point.
Neal: Right. I did have a thought that I would do
that at some point.
Ryan: Obviously the first album wasn't the complete
story.
Neal: That's right. There were some things that were
left out. Every time I tell my story, which I do quite a
bit because I travel around, visiting churches and give
my testimony, which is kind of the Christian term for
it, but every time I do it's always a little different.
You bring out things that you didn't bring out before or
certain things are accented that weren't before, so it's
a little bit different every time. People who have heard
me give my testimony have told me quite a few times,
"You know I never heard that part". For example I've
never really written or spoken much about my departure
from Spock's Beard. That gets slightly touched upon on
the album and I go greater in depth about it in the
book. There's always new areas to cover.
Ryan: I have to tell you that just like the first
album, I was once again sucked in. I had trouble
listening to just a couple of tracks on their own. When
I'd put it on I'd have to listen to the whole thing
which I guess is a good thing right?
Neal: That is a good thing. That's a very good thing.
Ryan: There's a lot of music over the course of these
two albums. You now have four discs of material.
Neal: [laughing] Right.
Ryan: Even on a progressive rock scale, this is
pretty epic stuff. Has anyone ever said to you "Oh c'mon
Neal, can't you just shorten it a bit and maybe cut it
down to maybe one disc"?
Neal: I think the shortest album I've made in the
last ten years would probably be...
Ryan: Lifeline no?
Neal: It could be, but I think ? is like sixty
minutes. Lifeline might be a little longer. The
funny thing is, that for someone who does such long
pieces of music and long albums, my attention span isn't
that long [laughs]. I call my music, music for people
with a really long attention span, because it changes up
a lot. I don't stay in any one area for more than a few
minutes, so there's a lot of changing. Sometimes I think
maybe it needs a little more space and more breathing
room you know?
Ryan: Yeah, but when you're operating under the
progressive rock banner you have to change things up
quite a bit.
Neal: Yeah.
Ryan: Was it easier this time around? I mean when you
began the first record it was all new for you. You had
just broken away from Spock's and Testimony was
your first album on your own. So was it easier to pick
up where you'd left off and continue the story?
Neal: Well, it's always a challenge to try and figure
out what's important. What to say, what not to say, how
to say it and how to fit it all together. One of the
hardest things I had to tackle on this record was trying
to describe how I felt about my daughter in five
syllables and have it rhyme with the word 'whole'. I
just laboured over that for three or four days because I
wanted it to be something poetic. So I finally came up
with ' A song from my soul' which I felt really said it
for me. The sweetness of a song and the depth of the
soul. All of those things are really a challenge though,
to try and make it all fit together. That's the task of
writing and I felt like the Lord really helped me on
this one.
Ryan: The first time I had a chance to interview you
was around the time of the release of Testimony.
At that time I mentioned to you that I felt it would be
a great idea for a musical, which is something I still
feel. The problem is you have four discs worth of music.
I mean how would you condense it without omitting parts
that are central to the story? Have you thought about
maybe going down that route one day, perhaps making it
into a film or some other medium?
Neal: You know I haven't, but you never know. You
could be the catalyst for my next project [laughing].
That's kind of how it starts a lot of the time. Someone
will say "Hey have you thought about doing this or
that?" It could be something really neat and maybe it
will stick in my mind. At first I might think it's
crazy, like I thought when you said what you just said.
That would probably be just too much to take on.
Ryan: I know you had attempted some musicals in the
past and when I first heard Testimony I had this
strong feeling when listening to the music that it be
great if this could somehow translate to the stage one
day. I still think you should do it.
Neal: [laughs] All right, well I will pray about it.
Ryan: Just to recap, this disc picks up right where
the first one left off, which was basically right around
the time you had gotten married and had starting going
to your wife's church.
Neal: Yeah. What I did on the first record was that I
fast forwarded basically from 1995. Then I became a full
on Christian and jumped in with both feet in 2000. So I
had cut to the chase on Testimony. I had left out
Jayda's healing and how God helped me get off the road
and all kinds of other things. So Testimony 2 is
a real in depth look at the period from I would say
1996-2001.
Ryan: So when you were writing that first record you
didn't feel that you'd go more in depth later on?
Neal: Not at the time. Here I was in the middle of
the second disc on Testimony and I was just at
the point where I was getting married. I didn't have
much time left [laughs].
Ryan: You talked about wanting to get closer to God
at that time and yet as the story unfolds in the first
couple of songs on this album, it seems as if you were
still conflicted. In one of the songs you allude to the
fact that the process goes slower for some people than
it does for others.
Neal: Yeah, I mean everybody's different. I think
some people feel like maybe because they prayed once or
something happened to them once and then nothing
happened to them for awhile, that maybe they get
discouraged. I think it's important to show the time of
growth and how God deals with us over years and years.
It isn't always a flash of lightning. You'll have those
moments, but it's a walk. It's really about walking in
faith. It's something you do every day and you grow in
and you discover new territory all the time. That to me
is exciting. I don't know about anybody else, but I
always want to be feeling like I'm drawing myself closer
to God. The fact that there is more to discover is such
an exciting thing.
Ryan: One of the most poignant moments on the whole
record is the song "Jayda" written about your daughter.
The following track "Nighttime Collectors" describes
your reaction to the news that she had been healed. Even
with this miracle, your conversion as you mentioned
didn't take place over night, it was still a process for
you.
Neal: My reaction was fear. First of all I was afraid
to believe it, because I think in that song I say "I'd
rather just grieve than start to believe". Sometimes
we'd rather just stay in the bad news than start to
believe some good news, so we won't be disappointed
twice [laughs]. I felt cautious and somehow threatened.
Ryan: Was it a fear not so much about the news being
true, but the fact that perhaps God was behind it?
Neal: Well yeah, both things. I was afraid that it
wasn't true and if it was well then wow! That was
something else you know? That was going to change my
life somehow.
Ryan: So that was definitely a major turning point
for you.
Neal: Yeah. When it turned out that she really was
healed and as I began to soak it in and believe it over
the following weeks...I'm still so grateful. What can
you say or do to show your gratitude for something like
that?
Ryan: You were a touring member in Eric Burdon's band
and Spock's was starting to get more and more
recognition, which you describe in the song "Time
Changer". This track reunites you with your former band
mates. Man it was great to hear those Gentle Giant style
multi-part vocal harmonies again.
Neal: I love that part in the record when they show
up and start singing. It's cool because it feels like
you're watching a movie about somebody and then they
show up in the movie [laughs]. I'm so grateful that they
were willing to do it. Of course I love their voices
anyway, but for me it brought back a lot what I call
warm fuzzy's [laughs].
Ryan: Obviously your brother is a member of Spock's,
how have relations been with them since the split?
Neal: I wouldn't be telling the truth if I said there
weren't times that were kind of strange, particularly
not long after the break up. Family gatherings were a
little weird for awhile. We didn't have words or
anything, but it was awkward. The Lord helped us through
that and I feel that we're really past that now. My
brother calls me and we talk all the time and we kind of
council each other. My relationship with the other guys
has always been pretty good and Dave Meros gave me the
kindest quote for my books. It brought tears to my eyes.
So I think our relationship is better than ever now.
Ryan: Have you kept up with what they've been doing
over the years?
Neal: Yeah sure I've always known what they've been
doing and I continued to sell their CD's on my web
store, so I've always kind of known what they've been up
to. Now I just seem to be talking to them more these
days, so it's all good.
Ryan: Do you ever get people asking you about when
you're going to reunite with Spock's Beard? I know a few
months back when it was announced that Nick would be
unable to participate in some European shows this
summer, speculation began right away that maybe you
would be filling in.
Neal: Right. I won't comment on any of that except to
say that I think they're going to do great with Ted
(Leonard). I get asked all the time if I'm going to
reunite with Spock's. I love the guys and I'm open. It
would just have to feel like it's the right time and the
right thing and I don't know if that's in God's plan or
not.
Ryan: Back in the touring days with Spock's and
Burdon in songs like "Jesus Bring Me Home" and "Road Dog
Blues" you long to be home with your family. Here you
were struggling to pay bills, the road was your main
source of income and you're torn whether to give it all
up. Would you say that over the past ten years you've
learned a lot more about the importance of an even life
/ work balance?
Neal: Yeah. That was really another big stepping
stone for me in giving my life over to God. That's what
the bible tells us is that "We love him because he first
loved us". He healed my daughter and he answered my
prayers to get off the road, but I do say in "Road Dog
Blues" that "Now like God has shown his hand, but now
I've got to choose". I like that line because God will
reveal himself to us, but that's why it's called a walk
of faith, because at some point you have to choose and
it always involves risk. You've got to step on out
[laughs]. That's the exciting thing really. It's scary,
but it's exciting. I was reading a book by a friend of
mine named Mark Mittelberg, he wrote a book called The
Unexpected Adventure and it's about adventures in
evangelism. There was something he said that I really
like. He said how much he likes to go mountain bike
riding, but he said "If I just wanted to go ride my bike
around the church parking lot a bunch of times it would
get really boring and I'd probably quit". Instead he
likes to go careening down steep slopes and around tight
corners and all that kind of stuff. It makes things
interesting, so that's the thing about walking in faith
with the Lord, is that it keeps things really
interesting [laughs].
Ryan: Disc 2 is shorter as it brings us from the time
you crossed over right up to present day which I guess
represents roughly the past ten years or so. Tell me a
bit about the epic track "Seeds of Gold" which closes
the album. Steve Morse contributes some great guitar
work on this track as well.
Neal: Yeah it's great. "Seeds of Gold" I wrote, I
don't know probably around two years ago or maybe even
longer. When I first started talking about doing
something with Steve , I wrote "Seeds of Gold" and I
originally thought that maybe we would do it on the
album that we did together with Mike and the other guys.
We wound up doing other things and we didn't do that
one, so I figured I'd put it on the second disc of this
album. Those three songs on the second disc are pretty
much unrelated concept wise. They're just songs that I
felt were good pieces to put out there. It's kind of
like Tarkus where side 1 was "Tarkus" and side 2
was other stuff.
Ryan: As you mentioned you've also written your
autobiography which describes the story in I'm sure
further detail than what we get with the music. How was
this process different for you as opposed to writing out
lyrics and music?
Neal: It was a completely different process.
Ryan: More difficult?
Neal: Much more difficult for me. I spent about three
months working on it just as far as the writing was
concerned, before I handed it off to the guy who helped
me edit it and put it all together. It was tough, I had
to make myself do it. I felt like God wanted me to do it
so that's what was making me get up in the morning , but
I was definitely sleeping in later during that time
[laughs]. When I'm working on a record or getting ready
for a tour I'm usually up at like 4 am. I can barely
sleep because I'm ready to go. During the book period I
was sleeping until 7 or 8 because I just wasn't as
excited about working on it. I had to make myself do it.
Not all the time. It was a real roller coaster, because
there were times when I was really inspired and I felt
like it was really flowing and then there were other
times where it kind of felt like pulling teeth.
Ryan: Would you say you're generally comfortable self
analyzing and deconstructing your work or would you
prefer to just let it speak for itself and let people
take whatever they want from the experience?
Neal: Oh yeah I'd much rather have people let it
bounce off of them and that's what it's for. I enjoy
talking about aspects about it, like what was going
through my mind or my experience of it. I particularly
enjoy talking about God and how I feel he's helped me
with things, to me that's always the most exciting part.
So I enjoy it, but other peoples experiences, that's the
main thing.
Ryan: I don't think I've asked you this before in our
past conversations but I'm curious as to why you didn't
think your new found faith could have coexisted with
Spock's at the time. For example, also when I asked you
if your involvement with Transatlantic was over at the
time of Testimony's release you said "Yes". So
what changed for you?
Neal: I guess the short answer to that would be I
don't know. It was just what I felt in my spirit and
what I felt inside. I felt like I couldn't be a part of
it and that God wanted me to separate from Spock's at
that time. Getting to do another album with
Transatlantic is basically a whole other testimony. In
around 2009 or whatever it was God started to deal with
me through many different conversations about doing
another Transatlantic record, so I ended up doing that.
So the answer is pretty much that's just what I felt was
God's will. We do see in the bible that God's will can
and will change. For example he tells the Jews to be
separate from the Gentiles many times and then in the
book of Acts he tells Peter that the Gentiles are coming
in and that they are to be one people. So everything
changes and we need to be ready to change with God.
That's my story on that.
Ryan: 2010 was a another whirlwind year for you with
the successful Transatlantic tour and it looks like this
year is going to be busy for you as well. In addition to
this record coming out, you also have a new band that
you're a part of with Steve Morse, Dave LaRue, Mike
Portnoy and Casey McPherson. How is that project shaping
up and what other things have you got up your sleeve for
2011?
Neal: That project would be the main thing, along
with my book, the new disc and the tour, plus that
project, whatever we're going to call it. There will
also be a Transatlantic release of the Tilburg and
Manchester shows, Tilburg video and Manchester audio.
That's just because we have it and they're both very,
very good, so those will be released in the fall
sometime. I don't know what I'll be doing in August when
the dust settles from all of these things, but I'm sure
you'll hear about it.