NEW SOUTHERN ROCK: AN INTERVIEW WITH DAVID
ARNN OF THE STONE CHIEFS
By Jeb Wright
Classic Rock Revisited is proud to introduce our
readers to a great new band called the Stone Chiefs, who
are making a name for themselves in their home state of
North Carolina. The band have a strong work ethic, a
gang-like mentality and can write songs with rich
melodies, strong hooks and a good guitar solo. While
this may seem rare in this day and age when the music on
stage comes from a DJ booth or a has a strong chance of
being mimed, this band are 100% dedicated to their
craft.
We caught up with guitarist, and founding member,
David Arrn, who gave us the scoop on the history of the
band, their new album and their plans for the future. We
hear a lot of new bands at
www.classicrockrevisited.com who
claim they are the ‘next big thing’ but these guys may
actually be it. Be sure to read this interview then head
over to the band’s website at
www.thestonechiefs.com.
Jeb: I discovered your band through Dan Russo and Chip
Ruggieri. These guys know their music, so when they say
to check it out I do. I love the term ‘New Southern
Rock.’ What is new about it?
David: The only new part about it is that it’s being
put out now. It still has three, or four chords, and a
lot of guitar solos. It also has a little bit of a
southern accent.
Jeb: The Stone Chiefs have a sound. There is a touch
of Black Crowes, a touch of Rolling Stones and other
things but you’ve got your own sound.
David: I appreciate you saying that. We all kind of
grew up on the same stuff. I guess it just comes out
that way. We listened to the Stones and all of those
bands and it just all mixed together the way it did.
Jeb: Tell me how this band came together.
David: We’ve been together about three years. Aaron
Wiig, was my college roommate at Chapel Hill. I played
bass in Jazz band but when I got to college, he had a
guitar and his amp and it really started from that. BT [Torrence],
the other guitar and bass player in the band, was also
in school there. We’ve all been friends since 1991 but
we weren’t in bands then, but we were jamming. A few
years later, I’m in a cover band and I go on Craig’s
List and I find another cover band looking for a guitar
player. I go and audition and I get the job. Dallas
Perry is the singer of this cover band. He’s the best
singer I’ve ever heard in my life. A few months later
and I’ve talked him into doing original stuff and
leaving his band. I went back to Aaron and BT, who
pretty much taught me how to play. About a year and a
half later, we found Twig [Neece], the drummer and we
couldn’t have asked for a better drummer; he’s a real
drummer.
Jeb: It sounds like you have a good mix of musical
kinship and friendship.
David: We fight like cats and dogs. If we weren’t
friends then we wouldn’t be together. We are just like a
gang -- that’s the way I like to look at it. No matter
what, we hang together. We will call each other out on
stuff but there is a mutual respect within the band
because everyone contributes.
Jeb: The song I love is “Vices.” That song has an old
school feel to it but it could be a hit among the
college crowd, easily.
David: I helped Dallas a little bit on “Vices” but
Dallas is a real talent. He writes most of our lyrics
and probably fifty percent of our music. We’re shooting
to get the younger crowd. I know how it was when I was
young and you looked around and found your niche in
music. Even though we’re playing music that 50 year olds
can identify with, here in the South, kids in high
school still listen to Led Zeppelin and Lynyrd Skynyrd,
not everybody’s all on pop.
Jeb: I like this band. You’re still pretty regional
where you are at. Is it time for you to jump into the
big pool and go for it?
David: So far, we’ve done everything ourselves. We
played cover gigs to pay for our album. We have spent
fifteen thousand dollars recording, producing and
mastering our album. Nobody had to come up with anything
out of pocket and we didn’t have to sign with any label.
We have our own label that is a separate entity. We have
done it ourselves and its just kept building. We are not
just saying, “Let’s hit the road” but hopefully we are
going to make it happen. It is a gray area for the band
because we have never been on a tour. Now, with this
album we have a product to sell. Our gigs are getting
bigger and bigger so things are going in the right
direction.
Jeb: I’m from Kansas, so while we are not Southern,
that music was huge here. But a lot of people consider
Southern Rock to be something that is in the past. Your
challenge is to show people that it is still alive and
can thrive once again.
David: Our previous entity as a band was called
Swagger, which was a terrible name. We recorded an album
with John Custer, who co-wrote some songs for Corrosion
of Conformity and he produced them. He was nominated for
a Grammy and he’s a Raleigh guy; he’s kind of a big deal
around here. In talking to him, he said music was
cyclical and that people get tired of stuff and a new
thing comes in and fills a need and then after a while
the other stuff comes back around. I think if you tell a
good story in a good voice, and rip a guitar solo , it
will never go away. It may change forms but it won’t go
away.
Jeb: As good as the album is tell me about your live
show? Southern bands are famous for taking a great
studio album and blowing the roof off the arena when
they play it live.
David: We do as much off the album as we can. We
didn’t overdub so many parts on the album that we can
recreate it live. Dallas is one of the best front men
I’ve ever seen. He sweats like a pig on stage. We feel
the music and you can see it. We are head bobbing or our
eyes or closed. It’s a living and breathing thing. I
don’t’ want to toot our own horn too much but I think we
do alright.
Jeb: Guitar solos used to be expected to be long and
intense. You play some great solos on this album but the
younger bands usually just do away with them. Do you
ever want to rip out even more than you do?
David: I’m satisfied with the ripping we have going
on in this band. The Swagger album we did got some radio
play but they cut out thirty seconds of guitar solos.
What are you going to do? I guess you can’t play it too
long.
Jeb: You have other challenges with downloading and
having to do all of your own marketing. How do you keep
from getting ripped off by people downloading your
music?
David: Honestly, the getting ripped off is out of our
hands. If somebody wants to listen to our music then we
just want them to hear it. We will give out our music to
people who are interested in our band. Every two or
three people you do that to, one of them will go and buy
it on iTunes.
Jeb: Southern bands are not supposed to be so savvy
and smart.
David: [laughter] We have college degrees and we’re
not dummies. We all have day jobs and, in fact, I help
run a business in my day job. If the music can pay
better than the day job, then I think we will all be
ready to get on the tour.
Jeb: Do you feel that you are all committed to hop on
a tour and give up the security of the normal side of
your life?
David: Yes sir, we’ve hauled too many PA speakers and
went home with no money after sweating for four hours.
We’re all in this together and if it goes, then we will
all go.
Jeb: Is the music a mix of the songwriter bringing
the song to the band and the band helping with the
arrangement?
David: With the song you like a lot, “Vices,” Dallas
came to the band with that song and he was singing it in
the key C. I switched it to the key of A, which fits his
register better. Aaron threw some licks over it and BT
came up with a cool bass line and it was a band effort.
There is a song we have called “Mountain” that Aaron
came to us with the song totally written. I co-wrote
five songs and Dallas co-wrote nine of them. There is
enough respect between all of us that we are not afraid
to speak up.
Jeb: When did you notice that you could be more than
a bar band?
David: We’ve been playing dive bars, motorcycle bars
and oyster bars for a long, long time. After you hear,
“You’re the best band we’ve ever seen play here,” then
you start thinking that you need to start playing venues
where you’re not the best band to have ever played
there. Maybe we need some bigger venues. To be honest,
it makes me physically sick to play cover songs.
Hopefully, we’re past that now. Most of the gigs we’ve
been booking now have been bigger where we play our own
music. We played a minor league stadium gig and we have
a Raleigh Amphitheater gig with Better Than Ezra coming
up. These are the biggest stages we have been on. We’ve
got the support of the local radio station here and I
really think we are at the tipping point and we’re going
to keep rolling. Hopefully, we are going to make a
living doing this really soon. We’ve done it all
ourselves and we have not skipped any parts. We are what
we are and we are a pretty good band. To me, if you want
to be on a stage and entertain people, then you’ve got
to have a bit of an ego and not be afraid to go for it.
Jeb: Do you try to make a song sound a certain way or
do you just go with what comes out?
David: We’ve got a limited amount of guitar tones and
the drummer has a limited amount of things he can hit
but given that, we go for a different sound. Most people
who listen to a song are not as worried about the guitar
player’s tone as much as the guitarist is. They are
listening to the singer, and that is just how it goes.
Nothing is forced in the band. If it has to be forced
then we don’t do it because we have enough stuff that we
love. It’s not hard once it’s there, and when it’s
there, it’s one of the best feelings that you can ever
have.
Jeb: Last one: What musicians most influenced you?
David: I can remember being in sixth grade and Jimi
Hendrix was on some music show on TV and it was the
first time I had visually seen him. I knew right then
that was what I wanted to do with my life. I will never
be a guitar god but I can still feel what he felt
playing guitar. I love Jimi Hendrix, Led Zeppelin and ZZ
Top. I also like the Marshall Tucker Band. Just so you
know, when I was in high school, I only listened to U2;
I was a total freak. Some of BT’s solos sound like The
Edge, to me. Maybe having that mixed in with the
Southern stuff helps us sound unique.