Ratings: See Below
Rock Candy Records is one of the best in the world when it
comes to mining lost classics out of rock n’ roll’s vast
achieves. This time they have found two 1980’s era albums by ELP
and King Crimson vet Greg Lake.
Greg Lake B-
Greg Lake is the voice of Emerson, Lake & Palmer. With that
band he played bass guitar and was the focal point both on stage
and in the media. As the most high profile member of the band
great things were expected from him after ELP broke up.
Lake now wishes he had not made this album, as he is
uncomfortable with the albums lack of musical direction. While
it is a rock album that is not reminiscent of the classic style
that ELP, I think Greg is being hard on himself. For starters,
he teamed up with the late Gary Moore of Thin Lizzy fame. Moore
brings an edge to songs like “Nuclear Attack,” “Love You Too
Much” and “Retribution Drive.” When Moore and Lake mesh then
there is a definite spark in the air. Other times, they miss as
seen in the forgettable “It Hurts” and “Black and Blue.”
While Lake may not like looking back at this one there are
some very good musical moments from Moore. Greg has such an
amazing vocal style that even the duds are fun to check out just
for his amazing qualities.
Manoeuvres B
The follow-up to his self-titled solo album saw Greg Lake
still in a funk musically without any real direction. He has
stated that he wishes he would not have made this album as he
was attempting things that he feels he should not have done.
Once again, this is a rock album featuring the late Gary Moore,
who gives this album it’s punch on the title track and “Too
Young to Love.” Moore plays well throughout and this one sees
Lake actually beginning to get a rock style that suited him,
despite what he thought at the time.
Shortly after this album Lake was recruited to fill the
vacant spot created when John Wetton left Asia. Listening to
this album one can see how Lake was the natural choice for that
band. Still, Manoeuvres had promise and, along with
Moore, Lake was close to living up to his potential as a solo
artist, despite what he says.
By Jeb Wright